![]() They don't fail often, but when they do it takes out a chunk of the matrix. Couple crosspoint switches, a PIC and you're halfway there.Just a head's up on the Synapses - they used a **very hard to find** (maybe custom?) set of ICs to handle all the switching. It's easy enough to do, but I spent the last year at home with the children due to distance learning. Wish I could find a Synapse or two at a price less than 10X what I paid for any MSB 2. But mine is one the use-cases where the router needs to be fully functional without being tethered to a computer. I’m glad the mio10 works for you, and if I could work exclusively on my own music, I imagine it would probably work great for me as well. And hooking up one my computers to live there is actually the opposite of where I would want to go, since my computer would not have the client’s familiar set of software, OS, and most especially, it would not have their sequences and project files. I could make it all work how I like best, but that’s not realistic for the mix of people I work with. Some of them will come in with all of their sequences in ableton on PC, others on Logic in Mac, others with everything stored in a touring workstation, and others still with any kind of hodge-podge of sequencers, and/or just composing or performing live in the room. The rig is there primarily for recording clients who are interested in recording with real discrete hardware. Ideally, I would like to have the ability for studio clients to plug in their own laptop, or not, as they see fit. Which means software on said computer to act as an editor/librarian would work just fine yet you say it wont?No, I typically do not have a computer connected to the studio’s main keyboard rig. Which means it would be hooked up to a computer via USB. So you want to use it as a USB interface.
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