![]() ![]() Her father had already changed his surname from Kalogeropoulos in Callas to the registry office (but on the Italian identity card at the time of his marriage in Verona appears "Kalòs "). Maria, conceived in Greece, was born at the Flower Hospital of New York on December 2, 1923. George Kalogeropoulos found work in the pharmaceutical sector of a chemical company. This loss left deep traces especially in the mother and was the basis of the choice to move to the United States of America, where the spouses landed on August 2, 1923, moving to a Long Island apartment. In 1920 the only son was born, Vasili, who died in 1923, the victim of a typhus epidemic. In June 1917 the eldest daughter was born, Yakinthy (later called "Jackie"). They married in 1916, settling in Meligala. The marriage was in short, at least in part, badly assorted, and would have been a source of frustration especially for Evangelia Dimitriadou. In the Greek society of the time, the fact that the Dimitriadis were a family of military traditions was of some importance. Evangelia Dimitriadou instead came from a fairly wealthy family: her parents, of Greek ancestry, had moved from Istanbul to Stylis, and then settled in Athens. George Kalogeropoulos was originally from the Peloponnese and was of modest extraction. The parents, George Kalogeropoulos and Evangelia Dimitriadou, met at the university where they both studied pharmacy. In his book, the former wife of Giuseppe Di Stefano tells of a dinner organized on Decemin honor of Callas to celebrate the singer's birthday. It is now established that the exact date was December 2nd. The register of the registry shows the 3, the passport the 2, while both the mother and she agreed on the 4, date of which Callas was not safe but that preferred because the day of Santa Barbara, pugnacious and combative saint who felt congenial to himself. ![]() Regarding the date of birth, there were several uncertainties between 2, 3 and 4 December, probably due to a mother's lapsus memoriae. The original surname of the father, Kalogeropoulos (Καλογερόπουλος) - Καλογεροπούλου is the genitive - it was simplified by them first in Kalos when he arrived in the USA, after which he became Callas. The name of the registry office is Sophia Cecilia Kalos, while the full name is Anna Maria Cecilia Sophia Kalogeropoulou (in Greek: Άννα Μαρία Καικιλία Σοφία Καλογεροπούλου). Her extraordinary talents of soprano and actress, the success, artistic and media, the myth built around her, have earned her the name of Divina. Inextricably linked to his name are Norma by Vincenzo Bellini and Medea by Luigi Cherubini, roles he gave a masterly interpretation, both vocal and theatrical. He also dedicated himself successfully to the rediscovery of titles out of repertoire due to the lack of suitable sopranili interpreters, such as Armida and Il Turco in Italy by Rossini, The Pirate of Bellini, Anna Bolena by Donizetti, Alceste and Ifigenia in Tauride by Gluck, La Vestal of Gaspare Spontini and Macbeth of Verdi, albeit without that philological rigor for the integral or original scores, ie accepting the cuts and the many traditional adaptations imposed by the directors of the time. She is also responsible for the rediscovery of the nineteenth-century vocality called "song of skill", but with her in a modern era that also included the genre Verista was coined by Teodoro Celli the term of dramatic soprano of agility for the restoration of the singing technique of first-nineteenth-century origin applied to all the repertoires.Īmong his battle horses were Bellini (Norma, Puritani, Sonnambula), Donizetti (Lucia di Lammermoor), Verdi (Macbeth, Traviata, Trovatore, Aida), Ponchielli (La Gioconda), Puccini (Tosca, Turandot). from Greek parents, Maria Callas studied in Athens from 1939 to 1945, embarking on an international career from the late forties to the sixties.Įndowed with a particular voice, which combined a unique timbre to volume, extension and remarkable agility, Callas contributed to the rediscovery of the Italian repertoire of the first half of the nineteenth century (the so-called "belcanto renaissance"), in particular Vincenzo Bellini and Gaetano Donizetti, of which he was able to give a personal reading, in a tragic and dramatic key, as well as purely lyrical-elegiac. Maria Callas, originally Anna Maria Cecilia Sophia Kalogeropoulou (Greek: Άννα Μαρία Καικιλία Σοφία Καλογεροπούλου) was a Greek soprano, in possession of the US nationality and naturalized Italian until 1966, when she renounced both to obtain the Greek one.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |